LIKHA: A Proposed Arts and Crafts Center In Guagua Pampanga
by: Triumfante, Eric B.
Thesis Adviser: Ar. Rolando P. Addun, uap
Columban College, Olongapo City
A.Y 2022 – 2023
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I. PROJECT DESCRIPTION
The proposed Arts and Crafts Center is a structure which is dedicated for education, display, and selling of arts and crafts products. The Arts and Crafts Center intend to be the first facility in the province of Pampanga. This center will be a hub for local artisans and craftsmen. The center is located in Guagua, Pampanga, a first-class municipality in the province of Pampanga known for its crafts making industry. This proposed project is a response to revitalize the cultural industry of Pampanga that can help to preserve the cultural heritage and provide opportunities for kapampangans to continue their traditional crafts.
II. PROJECT GOALS
The proposed Arts and Crafts Center has three main goals that will definitely have major contributions in the community of Pampanga:
• To showcase the Kapampangan products.
• To enable the local and international tourists to experience the arts and culture when they visit such place.
• To ensure that the traditional artisan’s and craftsmens knowledge and skills are passed down to the next future generations.
III. PROJECT OBJECTIVES
• To provide a space for local artisans and craftsmen to showcase and sell their work.
• To provide a functional and attractive space for the activities and programs that will be offered.
• To promote a sense of community, encouraging interaction and collaboration among artists, crafters, and the general public.
IV. SITE DESCRIPTION
Guagua is one of twenty-one municipalities in the province of Pampanga. Together with the towns of Lubao, Porac, and Sta. Rita, Floridablanca, and Sasmuan. Guagua is located at Pampanga's 2nd District. Located on the western part of the province, Guagua is about 9.5 kilometers off the City of San Fernando, and approximately 77 kilometers away from Metropolitan Manila. The proposed project site is located in Locion Area barangay San Antonio Guagua Pampanga. The site is 3.1 hectares with an irregular shape land. The site is surrounded by commercial area, institutional area and some residential houses. Accessible by public and private transportation through major and minor roads. The site location is 3.4 kilometers away from the central business district of Guagua Pampanga. The site is considered as corner through lot and defined as a commercial zone based on the land use plan and zoning ordinance of Guagua Pampanga.
V. DESIGN CONCEPT
A. Design Philosophy
“Architecture Must Be True to Itself, To Its Land, And to Its People”
-Architect Francisco “Bobby” Mañosa
Architecture is more than just the design or decorative elements of buildings. In fact, architectural buildings are both cultural products generated by nationalism and tools for spreading the sense of nationalism. In order to make authentic architecture distinct or free from foreign influences, the designer must believe in themselves, their ability, innovativeness, and creativity.
B. Design Concept
“Revitalizing Arts and Culture Through Green Philippine Architecture”
By incorporating sustainable development principles such as by using locally sourced materials, promoting energy-efficient designs, integrating green spaces, and adopting eco-friendly practices that align with the countrys natural resources and cultural values. It creates not only to preserve the environment but also promotes cultural sustainability by valuing local knowledge, craftsmanship, and aesthetics.
C. Design Objectives
• To design a building that will reflect arts and culture.
• To design a building where they could learn and develop artistic techniques in various mediums.
• To design a building that helps to create a visually comfortable environment for building occupants.
• To be able to design a building with an appropriate material not only for aesthetics but also for
sustainability and durability.
• To be able to design a structure that complies with the relevant laws, codes and regulations.
• To be able to design a building that helps to reduce the environmental impact and align with sustainability goals.
D. Design Considerations
• Building Character - Incorporating elements of traditional architecture (shape of roof, materials, motifs and decoration).
• Community Engagement - Providing a learning space that provides workshops and classes conducted by experienced artists or instructors.
• Natural Light and Ventilation - By providing ample windows and skylights that provides natural lights and visual comfort to the users.
• Material Selection - Using local sourced materials that are environmentally responsible, durable, low-maintenance, and appropriate for the arts and crafts activities.
• Safety And Compliance - Application of rule 7 and 8 of NBCP, Fire Code, B.P 344 and other laws and zoning ordinance given from the site.
• Sustainability - Incorporating sustainable practices such as energy efficient lighting and waste management systems.
E. Architecture Style
Contemporary Philippine Architecture
Contemporary Philippine Architecture style is the combination of local natural materials such as bamboo, coconut lumber, rattan, and abaca and modern materials such as metal, glass and concrete. Some of the features of Contemporary Philippine Architecture are high ceiling, high pitched roof with long eaves, expansive windows, and door openings that invite in natural light and air. Francisco ‘Bobby’ Mañosa is the person who introduced this uniquely-Filipino designs. Some of the examples of this style are Coconut Palace at the Cultural Center of the Philippines, The Mañosa residence in Ayala Alabang and San Miguel Corporation Head Office in Ortigas Center, Pasig City. All of his works are reflection of the Philippines and its culture.
F. Form Concept
KUPIA
Integrating the Kupia—the traditional Kapampangan woven hat—into architectural design represents a profound fusion of cultural heritage and bioclimatic innovation. By translating its organic form and intricate lattice patterns into the built environment, the proposed building serves as a "living artifact" that breathes with its surroundings.
Architectural Form: The Free-Form Protective Shell The roof, inspired by the Kupia’s silhouette, transcends traditional rigid geometry. Its free-form, aerodynamic curvature mimics the way the hat sits over the wearer, providing a protective canopy against the tropical sun and monsoon rains.
The Lattice Pattern: A Skin that Breathes The weaving (panyulaman) of the Kupia is not merely decorative; it is a structural logic applied to the building’s envelope (the facade) and interior partitions.
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